Reviews
2022
Hustle (Film School Rejects)
Top Gun: Maverick (Film School Rejects)
Men (Film School Rejects)
Everything Everywhere All at Once (Film School Rejects)
Playground (Film School Rejects)
Lingui, The Sacred Bonds (Film School Rejects)
Die Gregors (Berlinale Talent Press)
Sonic the Hedgehog 2 (Film School Rejects)
Sundown (Film School Rejects)
Anaïs in Love (Film School Rejects)
Paris, 13th District (Film School Rejects)
Concerned Citizen (Berlinale Talent Press)
2021
Lamb (Film School Rejects)
The Green Knight (Film School Rejects)
Clifford, The Big Red Dog (Film School Rejects)
Sing 2 (Film School Rejects)
tick, tick ... BOOM! (Film School Rejects)
Respect (Film School Rejects)
Queenpins (Film School Rejects)
Essays
2022
A Cinematic Energy: The Case for Don Rickles, Actor (Crooked Marquee)
How After Yang Recalls Kogonada's Video Essay Practice (Film School Rejects)
The Man Who Shot Liberty Valance & the Lessons of American Myth-making (Crooked Marquee)
Sergio Leone and the Perfection of the Close-up (Entertain the Elk)
When the Opening Credits Hit: On Drive My Car (Film School Rejects)
2021
2021 Filmmaker of the Year: Jane Campion (Film School Rejects)
The Ending of Nightmare Alley, Explained (Film School Rejects)
Martin Scorsese Just Wants to Hang Out With His Friends (Film School Rejects)
2020
The Ending of Alfred Hitchcock's Psycho, Explained (Film School Rejects)
My First Film is a Cathartic Moviegoing Experience in the Age of Quarantine (Film School Rejects)
2019
Spaceballs is a Prophetic Critique of Mass Consumption (Film School Rejects)
How The Hateful Eight Turns Limitation Into Brilliance (Film School Rejects)